谦虚的近义词是什么| 胎盘位于子宫前壁是什么意思| 什么布料最凉快| 海啸是什么| 受罪是什么意思| 什么是菊粉| 飞机是什么| 硬不起吃什么药| 手指关节发黑是什么原因| 什么古迹| 蜘蛛的血是什么颜色的| 麻疹的症状是什么| 元素是什么| 面藕是什么做的| 杨利伟什么军衔| 周杰伦为什么叫jay| 出去旅游需要带什么| 幼儿园什么时候放暑假| vte是什么意思| 2017年属鸡火命缺什么| 7月去青海带什么衣服| 下午茶一般吃什么| 红楼梦大结局是什么| poems综合征是什么病| 电头是什么| 一失足成千古恨是什么意思| 肠溶片和缓释片有什么区别| 胚包括什么| 发烧吃什么好| 东南角风水代表什么| 黑油是什么油| 申时出生五行缺什么| 外阴瘙痒是什么原因| 吃东西容易呛到是什么原因| 受凉肚子疼吃什么药| 梦见两口子吵架是什么意思| 木灵念什么| 老年性阴道炎用什么药| 头疼头胀是什么原因| 高密度脂蛋白胆固醇低是什么意思| 平均血小板体积偏低是什么意思| 故作矜持的意思是什么| 情面是什么意思| 朋友生日送什么礼物好| 口腔扁平苔藓是什么原因造成的| 囊肿是什么东西| 为什么月经前乳房胀痛| 尿液发红是什么原因| 柴鸡是什么鸡| 招风耳是什么意思| pc是什么意思| 迎春花是什么颜色的| 吃什么头发能变黑| 柠檬泡水有什么好处| 中指戴戒指什么意思| 炭疽病用什么药最好| 蟑螂吃什么东西| 什么人不能吃人参| abob是什么药| out代表什么意思| 津液亏虚是什么意思| 脖子凉是什么原因| 小狗拉稀吃什么药| 挺拔的意思是什么| 军用水壶为什么是铝的| 买什么保险最好最划算| 淋巴细胞比率偏高是什么意思| 地中海是什么意思| 做梦梦到猪是什么意思| 水瓶座与什么星座最配| 今年27岁属什么生肖| 甲亢是什么意思| 总是放屁什么原因| 电测听是什么| 陈赫的老婆叫什么名字| 84属什么生肖| 尿酸降低是什么意思| elisa是什么检测方法| 江浙沪是什么意思| 盆腔肿物是什么意思| 斯德哥尔摩综合症是什么| 924是什么星座| 说什么| 轮状病毒是什么症状| 苯丙氨酸是什么| 汉子婊什么意思| 阴道骚痒是什么原因| 下午6点是什么时辰| 跪舔是什么意思| 榴莲和什么食物相克| 什么是钾肥| 三点水加四读什么| 腿上长痣代表什么| 爸爸是什么意思| 5月21日是什么星座| 试纸什么时候用最准确| 香蕉和什么一起吃能减肥| 红景天是什么| 属鼠和什么属相最配| g代表什么单位| 奇花初胎矞矞皇皇是什么意思| 神经是什么东西| 卧槽是什么意思| 结婚14年是什么婚| 孕妇流鼻血是什么原因| 花生不能和什么食物一起吃| 伤官是什么| 糖化血红蛋白高是什么原因| 鹌鹑吃什么| 正常是什么意思| 什么是氧化剂| 特点是什么意思| 胃疼做什么检查| 石见读什么| 喉咙长息肉有什么症状| 大排畸是什么检查| 男属兔和什么属相最配| 心动过缓吃什么药| 小孩血糖高是什么原因引起的| 四大才子是什么生肖| 舌苔发黄是什么原因引起的| 嗓子疼喝什么| 头皮一阵一阵发麻是什么原因| 87属什么生肖| 左手大拇指麻木是什么原因| 屁股又叫什么| 莆田荔枝什么时候成熟| 便秘吃什么可以调理| 做宫腔镜检查需要提前做什么准备| 咸鸭蛋不能和什么一起吃| 项链突然断了预示什么| mers是什么病毒| mas是什么意思| 类风湿是什么意思| 生产批号是什么意思| 甘油三酯高是什么意思| 拙作是什么意思| 乳腺实性结节是什么意思| 什么是散射光| 口干舌燥喝水也不解渴是什么原因| 怀孕什么时候能测出来| 防代表什么生肖| 西游记是什么朝代| 腰疼吃什么药| 脚侧面骨头突出叫什么| 苦命是什么意思| 血糖高适合吃什么零食| 怀字五行属什么| 瑶五行属什么| 新生儿拉肚子是什么原因引起的| 吃什么英语怎么说| 攒劲是什么意思| 肚子冰凉是什么原因| 按摩有什么好处和坏处| 嘴下面起痘是什么原因| 血脂稠是什么原因造成的| 今年54岁属什么生肖| 健康证需要检查什么项目| 鬼迷心窍是什么生肖| 交公粮是什么意思| 弱肉强食是什么意思| bml什么意思| ad滴剂什么牌子好| 贫血是什么原因造成的| rio是什么酒| 吉人天相好福气指什么生肖| 热泪盈眶的盈是什么意思| 阑尾炎吃什么药最有效| 吃得苦中苦方为人上人是什么意思| pdrn是什么| 为什么肚子疼| 省委副书记是什么级别| 借鉴是什么意思| 牙龈肿吃什么药| 雨字头的字有什么| 成是什么生肖| 为什么想吐却吐不出来| 德行是什么意思| 太累吃什么缓解疲劳| 加拿大货币叫什么| 嘴唇出血是什么原因| 后背长痘痘是什么原因引起的| 充电宝什么品牌最好| 腱鞘炎看什么科| 乳房长斑点是什么原因| 什么食物| 烊化兑服是什么意思| 一个口一个且念什么| 下聘是什么意思| 天天喝牛奶有什么好处| 税号是什么| 排湿气最快的方法吃什么| 做梦梦见狗咬我什么意思啊| 南笙是什么意思| 胃下垂有什么症状表现| 耐药是什么意思| 金火什么字| 女生的胸部长什么样| 番茄是什么| edifier是什么牌子| 宝宝缺钙吃什么补得快| 阴虚阳亢吃什么中成药| 宫颈病变有什么症状| 有容乃大是什么意思| 鹦鹉吃什么食物最好| 女朋友生日送什么礼物| 07是什么生肖| 什么叫肾阳虚肾阴虚| 成字五行属什么| 迄今为止什么意思| 扛幡是什么意思| 肥皂水是什么| ppm是什么单位| 花卉是什么意思| 轰20什么时候首飞| 阿玛尼是什么品牌| 扁桃体发炎是什么症状| 吐血是什么原因引起的| 睡觉容易醒是什么原因| 保妇康栓是治疗什么的| 农历六月十八是什么星座| 小本生意做什么好赚钱快| fda是什么意思| 花胶是什么鱼的鱼肚| 一单一双眼皮叫什么眼| 荷花是什么形状的| 阴茎是什么| 坐骨神经痛吃什么药快| 什么情况需要查凝血| 一代宗师是什么意思| 拔智齿第二天可以吃什么| 一叶知秋是什么生肖| 血脂高有什么危害| 管科是什么专业| 大便粘便池是什么原因| 苏打水喝了有什么好处| cob是什么意思| 黄体功能不足是什么原因造成的| gcp是什么| 吐槽是什么意思啊| 挽留是什么意思| 等效球镜是什么意思| 牙龈肿痛挂什么科| 钧五行属什么| 翅膀车标是什么车| 阴到炎用什么药好得快| 计发月数是什么意思| 越南讲什么语言| 磷高吃什么药| white是什么意思颜色| 拖鞋什么材质的好| 急性胃炎吃什么药| 腔梗是什么病| 鹿角菜是什么植物| 养字五行属什么| 脑梗吃什么药效果好| 脂血是什么意思| 常州为什么叫龙城| 苯磺酸氨氯地平片什么时候吃| 喉咙痛上火吃什么药效果最好| 受精卵着床有什么感觉| 尿酸高能吃什么肉| 喉咙一直有痰是什么原因| 黄豆加什么打豆浆好喝又营养| 百度



七年是什么婚

百度 2017年12月1日,《车用动力电池回收利用拆解规范》开始实施,另一项重要的标准《车用动力电池回收利用余能检测》也于2018年2月1日起施行。

In June of 2014, Har-vard Uni-ver-si-ty’s Houghton Library put up a blog post titled “Caveat Lecter,” announc-ing “good news for fans of anthro-po-der-mic bib-liop-e-gy, bib-lio-ma-ni-acs, and can-ni-bals alike.” The occa-sion was the sci-en-tif-ic deter-mi-na-tion that a book in the Houghton’s col-lec-tion long rumored to have been bound in human skin — the task of whose retrieval once served, they say, as a haz-ing rit-u-al for stu-dent employ-ees — was, indeed, “with-out a doubt bound in human skin.” What a dif-fer-ence a decade makes: not only has the blog post been delet-ed, the book itself has been tak-en out of from cir-cu-la-tion in order to have the now-offend-ing bind-ing removed.

“Har-vard Library has removed human skin from the bind-ing of a copy of Arsène Houssaye’s book Des des-tinées de l’ame (1880s),” declares a stren-u-ous-ly apolo-getic state-ment issued by the uni-ver-si-ty. “The volume’s first own-er, French physi-cian and bib-lio-phile Dr. Ludovic Bouland (1839–1933), bound the book with skin he took with-out con-sent from the body of a deceased female patient in a hos-pi-tal where he worked.” Hav-ing been in the col-lec-tion since 1934, the book was first placed there by John B. Stet-son, Jr., “an Amer-i-can diplo-mat, busi-ness-man, and Har-vard alum-nus” (not to men-tion an heir to the for-tune gen-er-at-ed by the epony-mous hat).

“Bouland knew that Hous-saye had writ-ten the book while griev-ing his wife’s death,” writes Mike Jay in the New York Review of Books, “and felt that this was an appro-pri-ate bind-ing for it — ‘a book on the human soul mer-its that it be giv-en human cloth-ing.’ ” He also “includ-ed a note stat-ing that “this book is bound in human skin parch-ment on which no orna-ment has been stamped to pre-serve its ele-gance.” This copy of Des des-tinées de l’ame isn’t the only book rumored — or, with the pep-tide mass fin-ger-print-ing (PMF) tech-nol-o-gy devel-oped over the past decade, con-firmed — to have been bound in human skin. “The old-est reput-ed exam-ples are three 13th-cen-tu-ry Bibles held at the Bib-lio-thèque Nationale in France, write the New York Times’ Jen-nifer Schuessler and Julia Jacobs.

Jay also men-tions the espe-cial-ly vivid exam-ple of “an 1892 French edi-tion of Edgar Allan Poe’s The Gold Bug, adorned with a skull emblem, is gen-uine human skin: Poe en peau humaine.” In gen-er-al, Schuessler and Jacobs note, the largest num-ber of human skin-bound books “date from the Vic-to-ri-an era, the hey-day of anatom-i-cal col-lect-ing, when doc-tors some-times had med-ical trea-tis-es and oth-er texts bound in skin from patients or cadav-ers.” Now that this prac-tice has been retroac-tive-ly judged to be not just deeply dis-turb-ing but offi-cial-ly prob-lem-at-ic (to use the vogue term of recent years) it’s up to the anthro-po-der-mic-bib-liop-e-gy enthu-si-asts out there to deter-mine whether to put the items in their own col-lec-tions to the PMF test — or to leave a bit of macabre mys-tery in the world of anti-quar-i-an book-col-lect-ing.

Relat-ed con-tent:

Old Books Bound in Human Skin Found in Har-vard Libraries (and Else-where in Boston)

When Medieval Man-u-scripts Were Recy-cled & Used to Make the First Print-ed Books

Behold the Codex Gigas (aka “Devil’s Bible”), the Largest Medieval Man-u-script in the World

A Mes-mer-iz-ing Look at the Mak-ing of a Late Medieval Book from Start to Fin-ish

3,500 Occult Man-u-scripts Will Be Dig-i-tized & Made Freely Avail-able Online, Thanks to Da Vin-ci Code Author Dan Brown

Based in Seoul, Col-in Marshall writes and broad-casts on cities, lan-guage, and cul-ture. His projects include the Sub-stack newslet-ter Books on Cities and the book The State-less City: a Walk through 21st-Cen-tu-ry Los Ange-les. Fol-low him on Twit-ter at @colinmarshall or on Face-book.

The New York Public Library Presents an Archive of 860,000 Historical Images: Download Medieval Manuscripts, Japanese Prints, William Blake Illustrations & More

Back when we last fea-tured the New York Pub-lic Library’s dig-i-tal col-lec-tions in 2016, they con-tained about 160,000 high-res-o-lu-tion images from var-i-ous his-tor-i-cal peri-ods. This seemed like a fair-ly vast archive at the time, but in the years since, that num-ber has grown to more than 860,000. If it was dif-fi-cult to know where to begin explor-ing it sev-en years ago — when it already con-tained such dig-i-tized trea-sures as the Depres-sion-era Farm Secu-ri-ty Admin-is-tra-tion pho-tographs tak-en by Dorothea Lange, Walk-er Evans, and Gor-don Parks, Walt Whit-man’s hand-writ-ten pref-ace to Spec-i-men Days, Thomas Jefferson’s list of books for a pri-vate library, and six-teenth-cen-tu-ry illus-tra-tions for The Tale of Gen-ji — it can hard-ly be eas-i-er now.

Or rather, it can hard-ly be eas-i-er unless you start with the NYPL dig-i-tal col-lec-tions’ pub-lic domain picks, a sec-tion of the site that, as of this writ-ing, orga-nizes thou-sands and thou-sands of its hold-ings into thir-teen brows-able and intrigu-ing cat-e-gories.

These include the FSA pho-tos, but also book illus-tra-tions by William Blake, edi-tions of The Negro Trav-el-er’s Green Book (as pre-vi-ous-ly fea-tured here on Open Cul-ture), the music and lyrics for Amer-i-can pop-u-lar songs, the papers of Walt Whit-man, and the more than 42,000 stereo-scop-ic prints of the Robert N. Den-nis col-lec-tion, which cap-ture an ear-ly form of 3D views of a fast-devel-op-ing (and, often, now-unrec-og-niz-able) Amer-i-can con-ti-nent.

Enthu-si-asts of New York City itself will no doubt make straight for sec-tions like “chang-ing New York,” “pho-tographs of Ellis Island, 1902–1913,” and “album de la con-struc-tion de la Stat-ue de la Lib-erté.” Soon after after its ded-i-ca-tion in 1886, the Stat-ue of Lib-er-ty came to sym-bol-ize not just a city, and not just a coun-try, but the very con-cept of Amer-i-can civ-i-liza-tion and the grand cul-tur-al exchange it had already begun to con-duct with the rest of the world. 137 years lat-er, you can spend a lit-tle time in the NYPL’s dig-i-tal col-lec-tions and turn up every-thing from illu-mi-nat-ed man-u-scripts from medieval and Renais-sance Europe to Japan-ese wood-block prints to col-or draw-ings of Indi-an life in the eigh-teenth and nine-teenth cen-turies — and you don’t have to be any-where near New York to do so. Enter the NYPL dig-i-tal col-lec-tions here.

Relat-ed con-tent:

Food-ie Alert: New York Pub-lic Library Presents an Archive of 17,000 Restau-rant Menus (1851–2008)

100,000+ Won-der-ful Pieces of The-ater Ephemera Dig-i-tized by The New York Pub-lic Library

The “Weird Objects” in the New York Pub-lic Library’s Col-lec-tions: Vir-ginia Woolf’s Cane, Charles Dick-ens’ Let-ter Open-er, Walt Whitman’s Hair & More

John Cage Unbound: A New Dig-i-tal Archive Pre-sent-ed by The New York Pub-lic Library

Immac-u-late-ly Restored Film Lets You Revis-it Life in New York City in 1911

Based in Seoul, Col-in Marshall writes and broad-casts on cities, lan-guage, and cul-ture. His projects include the Sub-stack newslet-ter Books on Cities, the book The State-less City: a Walk through 21st-Cen-tu-ry Los Ange-les and the video series The City in Cin-e-ma. Fol-low him on Twit-ter at @colinmarshall or on Face-book.

A Free Digital Archive of Graphic Design: A Curated Collection of Design Treasures from the Internet Archive

We’ve got a thing for cre-ative prob-lem solvers here at Open Cul-ture.

We also love a good com-mu-ni-ty-spir-it-ed project.

Graph-ic design-er Valery Mari-er ticks both box-es with archives.design, a free graph-ic design archive that was born of her frus-tra-tions with online research at a time when Covid restric-tions shut-tered libraries and archives.

The non-prof-it dig-i-tal library Inter-net Archive is rich in inter-est-ing mate-r-i-al, but its lack of cura-tion can often leave the user feel-ing like they’re sort-ing through the world’s most dis-or-ga-nized junk shop, root-ing for hid-den trea-sure.

Mari-er was also dis-cour-aged by “a com-bi-na-tion of con-fus-ing boolean oper-a-tors and an absolute hodge-podge of dif-fer-ent meta-da-ta tags and cat-e-go-ry names:

I fig-ured that if I was hav-ing these prob-lems, then there were like-ly oth-er folks who were as well. So I decid-ed to put my design skills to good use and work on a solu-tion. The biggest issues that I felt need-ed to be solved were the user expe-ri-ence, and the con-tent cura-tion. For the archive’s cura-tion, I opt-ed to curate each item man-u-al-ly. While I could have like-ly fig-ured out a way to curate these items using an auto-mat-ed script, I feel that there is an inher-ent val-ue to human cura-tion. When a col-lec-tion is curat-ed by a com-put-er it can seem con-fus-ing and arbi-trary. Where-as with human cura-tion there is often a delib-er-ate con-nec-tion between each object in the col-lec-tion. For the nav-i-ga-tion I want-ed to ensure that it was sim-ple enough that any-one could under-stand it and oper-ate it. So instead of hav-ing a ton of com-plex oper-a-tors, I instead decid-ed to orga-nize them by their aspect in design.

Graph-ic design nerds, rejoice!

Mari-er deter-mines which of the finds should make the cut by con-sid-er-ing rel-e-vance and image qual-i-ty.

A quick peek sug-gests graph-ic design-ers are not the only ones who stand to ben-e-fit from this labor of love.

Edu-ca-tors, his-to-ri-ans, and activists will be reward-ed with a sup-ple-ment to the Guardian from Feb-ru-ary 1970, which pro-vid-ed an overview of the Black Pan-ther Par-ty in their own words. There’s a ton of infor-ma-tion and his-to-ry packed into these 8 pages, from its for-ma-tion and its 10-point pro-gram, to an inter-view with then-incar-cer-at-ed par-ty chair-man Bob-by Seale.

The IBM Ergonom-ics Hand-book from 1989 address-es an ever-green top-ic. Office man-agers, phys-i-cal ther-a-pists, and dig-i-tal nomads should take note. Its rec-om-men-da-tions on con-fig-ur-ing the work space for max-i-mum effi-cien-cy, pro-duc-tiv-i-ty and employ-ee com-fort are sol-id. It’s not this hand-some lit-tle yel-low and blue employ-ee manual’s fault that ref-er-ences to now-obso-lete tech-nol-o-gy ren-der it a bit quaint:

Think of two fair-ly recent inno-va-tions in our lives — the push but-ton tele-phone and the pock-et cal-cu-la-tor. Both have a stan-dard key set lay-out, but not the same lay-out.

Mari-er elect-ed to let each pick be rep-re-sent-ed by its cov-ers, fig-ur-ing “what bet-ter way to browse designed objects than by how they look.”

We agree, though we’re wor-ried about where this might leave 1924’s Posters & Their Design-ers. How can its staid blue cov-er com-pete against its sexy neigh-bors in the posters cat-e-go-ry?

Small busi-ness own-ers, set dressers and pub-lic domain fans should give Posters & Their Design-ers a chance. Behind that dis-creet blue cov-er are a wide assort-ment of stun-ning ear-ly 20th cen-tu-ry posters, includ-ing some full col-or repro-duc-tions.

While not specif-i-cal-ly typog-ra-phy relat-ed, Mari-er wise-ly gives this resource a typog-ra-phy tag. Hand let-ter-ing loy-al-ists and font fanat-ics will find much to admire.

We hope to pique your inter-est with a few more of our favorite cov-ers, below. Begin your explo-rations of archives.design here.

via Eye on Design/Kot-tke

Relat-ed Con-tent 

The Let-ter-form Archive Launch-es a New Online Archive of Graph-ic Design, Fea-tur-ing 9,000 Hi-Fi Images

Down-load 2,000 Mag-nif-i-cent Turn-of-the-Cen-tu-ry Art Posters, Cour-tesy of the New York Pub-lic Library

40 Years of Saul Bass’ Ground-break-ing Title Sequences in One Com-pi-la-tion

– Ayun Hal-l-i-day is the Chief Pri-ma-tol-o-gist of the East Vil-lage Inky zine and author, most recent-ly, of Cre-ative, Not Famous: The Small Pota-to Man-i-festo and Cre-ative, Not Famous Activ-i-ty Book. Fol-low her @AyunHalliday.

 

Watch Joni Mitchell Perform George Gershwin’s “Summertime”

“I’ve been a painter all my life. I’ve been a musi-cian most of my life. If you can paint with a brush, you can paint with words.” — Joni Mitchell

There’s been a lot of love for Joni Mitchell cir-cu-lat-ing of late, the sort of heart-felt out-pour-ing that typ-i-cal-ly accom-pa-nies news of an artist’s death.

For-tu-nate-ly, the beloved singer-song-writer has shown her-self to be very much alive, despite a 2015 brain aneurysm that ini-tial-ly left her unable to speak, walk, or play music.

As she quipped in a recent inter-view with Librar-i-an of Con-gress Car-la Hay-den, “I’m hard to dis-cour-age and hard to kill.”

How won-der-ful, then to be so ful-ly alive as a wind-fall of tes-ti-mo-ni-als roll in, describ-ing the per-son-al sig-nif-i-cance of her work, from the famous friends fet-ing her last month with a con-cert of her own com-po-si-tions as she was award-ed the Library of Con-gress Gersh-win Prize for Pop-u-lar Song to ordi-nary cit-i-zens with fond mem-o-ries of singing “The Cir-cle Game” at camp.

Mitchell says that song, which you can hear her singing above, along with last month’s all-star line up, “kind of became like Old Mac-Don-ald Had a Farm” owing to its camp-fire pop-u-lar-i-ty, though she resist-ed Hayden’s invi-ta-tion to explain its time-less appeal:

I don’t know. Why was Old Mac-Don-ald Had a Farm so time-less?

This 79-year-old legend’s grow-ing ten-den-cy to goof her way through inter-views is endear-ing, but the Gersh-win Prize is seri-ous busi-ness, intend-ed to “cel-e-brate the work of an artist whose career reflects the influ-ence, impact and achieve-ment in pro-mot-ing song as a vehi-cle of musi-cal expres-sion and cul-tur-al under-stand-ing.”

Per-former Cyn-di Lau-per reflect-ed that Mitchell’s influ-ence is not con-fined to the realm of music:

When I was grow-ing up the land-scape of music was most-ly men. There were a few women — far and few from me — and Joni Mitchell was the first artist who real-ly spoke about what it was like to be a woman nav-i-gat-ing in a male world … You taught me that I could be a mul-ti-me-dia artist if I want-ed, because you paint-ed and you wrote and you played and that’s what I want-ed and I thought, “Well, if you could do it, maybe I can do it too.”

Mitchell trained as a com-mer-cial artist. Her paint-ings and self-por-traits are fea-tured on the cov-ers of sev-en-teen albums. When Hay-den asked whether she pri-mar-i-ly con-ceives of her-self as a musi-cian or  artist, Mitchell went with artist, “because it’s more gen-er-al.”

I think that, you know, my songs are kind of, they’re not folk music, they’re not chat. They’re kind of art songs and they embody clas-si-cal things and jazzy things and folky things, you know, long line poet-ry. So yeah, I forged my iden-ti-ty very ear-ly as an artist. I’ve always thought of myself as an artist, but not specif-i-cal-ly as a musi-cian. You know, in some ways I’m just not a nor-mal musi-cian because I play in open tun-ings. I nev-er learned the neck of my gui-tar well enough to jam with oth-er peo-ple. I can jam if I lead, but I can’t real-ly fol-low.

She believes her paint-ing prac-tice enrich-es her song-writ-ing, much as crop rota-tion helps a field to remain fer-tile.

Not every artist switch-es lanes so effort-less-ly.

When Geor-gia O’Keeffe — who once told ART-news she’d choose to be rein-car-nat-ed as a “blond sopra-no who could sing high, clear notes with-out fear” — con-fid-ed that she would have liked to be a musi-cian as well as an artist, “but you can’t do both”, Mitchell claims to have respond-ed, “Yeah, you can. You just have to give up TV.”

Song-writ-ers George and Ira Gersh-win, name-sakes of the Prize for Pop-u-lar Song, were clos-er to Mitchell in terms of cre-ative omniv-o-rous-ness. Their self-por-traits hang in the Nation-al Por-trait Gallery and the Library of Con-gress’ Gersh-win room.

Mitchell was thrilled when Library staff pre-sent-ed her with a copy of the hand-writ-ten orig-i-nal score for her favorite George Gersh-win tune, “Sum-mer-time,” which she record-ed for Her-bie Hancock’s 1998 album, Gershwin’s World, sev-en years after an Inter-view mag-a-zine piece in which she referred to her voice as “mid-dle-aged now…like an old cel-lo.”

Twen-ty-five years lat-er, singing “Sum-mer-time” at the end of the con-cert in her hon-or, that cel-lo’s tones are seasoned…and even more mel-low.

I love the melody of (Sum-mer-time) and I like the sim-plic-i-ty of it. And I don’t know, I just I real-ly get a kick out of singing it.

Stream Joni Mitchell: The Library of Con-gress Gersh-win Prize, an all-star con-cert fea-tur-ing Bran-di Carlile, Annie Lennox, James Tay-lor, Her-bie Han-cock, Cyn-di Lau-per, and oth-er lumi-nar-ies, includ-ing the Lady of the Canyon her-self, for free on PBS through April 28.

– Ayun Hal-l-i-day is the Chief Pri-ma-tol-o-gist of the East Vil-lage Inky zine and author, most recent-ly, of Cre-ative, Not Famous: The Small Pota-to Man-i-festo and Cre-ative, Not Famous Activ-i-ty Book. Fol-low her @AyunHalliday.

The Oakland Public Library Puts Online a Collection of Items Forgotten in Library Books: Love Notes, Doodles & More

Librar-i-ans are cham-pi-ons of orga-ni-za-tion, and among its best prac-ti-tion-ers.

Books are shelved accord-ing to the Dewey Dec-i-mal sys-tem.

Cat-e-gories are assigned using Library of Con-gress Rule Inter-pre-ta-tions, Library of Con-gress Sub-ject Head-ings, and Library of Con-gress Clas-si-fi-ca-tion.

And Sharon McKel-lar, the Teen Ser-vices Depart-ment Head at the Oak-land Pub-lic Library, col-lects ephemera she and oth-er staffers find in books returned to the OPL’s 18 loca-tions.

It’s an impulse many share. 

Even-tu-al-ly, she began scan-ning them to share on her employ-er’s web-site, inspired by Found Mag-a-zine, a crowd-sourced col-lec-tion of found let-ters, birth-day cards, kids’ home-work, to-do lists, hand-writ-ten poems, doo-dles, dirty pic-tures, etc.

As Found’s cre-ators, Davy Roth-bart and Jason Bit-ner, write on the magazine’s web-site:

We cer-tain-ly didn’t invent the idea of found stuff being cool. Every time we vis-it our friends in oth-er towns, someone’s always got some kind of unbe-liev-able dis-cov-ered note or pho-to on their fridge. We decid-ed to make a bunch of projects so that every-one can check out all the strange, hilar-i-ous and heart-break-ing things peo-ple have picked up and passed our way.

McKel-lar told NPR that her project “lets us be a lit-tle bit nosy. In a very anony-mous way, it’s like read-ing peo-ple’s secret diaries a lit-tle bit but with-out know-ing who they are.”

The finds, which she stores in a box under her desk pri-or to scan-ning and post-ing, are push-ing 600, with more arriv-ing all the time.

Search-able cat-e-gories include notes, cre-ative writ-ing, art, and pho-tos.

One arti-fact, the scat-o-log-i-cal one-of-a-kind zine Mr Men #48, excerpt-ed above, spans four cat-e-gories, includ-ing kids, a high-ly fer-tile source of both humor and heart-break.

There’s a dis-tinct-ly dif-fer-ent vibe to the items that chil-dren forge for them-selves or each oth-er, as opposed to work cre-at-ed for school, or as presents for the adults in their lives.

McKel-lar admits to hav-ing a sweet spot for their inad-ver-tent con-tri-bu-tions, which com-prise the bulk of the col-lec-tion.

She also cat-a-logues the throw-away fly-ers, tick-et stubs and lists that adult read-ers use to mark their place in a book, but when it comes to place-hold-ers with more obvi-ous poten-tial for sen-ti-men-tal val-ue, she finds her-self won-der-ing if a library patron has acci-den-tal-ly lost track of a pre-cious object:

Does the per-son miss that item? Do they regret hav-ing lost it or were they care-less with it because they actu-al-ly did-n’t share those deep and pro-found feel-ings with the per-son who wrote [it]?

Actu-al book-marks are not exempt…

Future plans include a pos-si-ble writ-ing con-test for short sto-ries inspired by items in the col-lec-tion.

Browse the Found in a Library Book col-lec-tion here.

Relat-ed Con-tent 

Pub-lic Library Receipt Shows How Much Mon-ey You’ve Saved by Bor-row-ing Books, Instead of Buy-ing Them

Free Col-or-ing Books from World-Class Libraries & Muse-ums: Down-load & Col-or Hun-dreds of Free Images

The New York Pub-lic Library Cre-ates a List of 125 Books That They Love

- Ayun Hal-l-i-day is the Chief Pri-ma-tol-o-gist of the East Vil-lage Inky zine and author, most recent-ly, of Cre-ative, Not Famous: The Small Pota-to Man-i-festo.  Fol-low her @AyunHalliday.

A Gallery of Fantastical Alchemical Drawings

I once had to tell a ten-year-old that the Har-ry Pot-ter book series was not a his-tor-i-cal lit-er-ary clas-sic but a recent pub-lish-ing phe-nom-e-non that occurred in my life-time. She was amazed, but she was-n’t sil-ly for think-ing that the books might date from a far-away past. They do, after all, make fre-quent ref-er-ence to fig-ures from cen-turies when alche-my flour-ished in Europe, and magi-cians like Paracel-sus and Nicholas Flamel (both of whom appear in Pot-ter books and spin-offs) plied their soli-tary craft, such as it was. Should we call it mag-ic, ear-ly sci-ence, occult reli-gion, out-sider art, or some admix-ture of the above?

We can call it “black mag-ic,” but the term was not, as the Chris-tians thought, a ref-er-ence to the dev-il, but to the soil of the Nile. “Derived from the Ara-bic root ‘kimia,’” writes the Pub-lic Domain Review, “from the Cop-tic ‘khem’ (refer-ring to the fer-tile black soil of the Nile delta), the word ‘alche-my’ alludes to the dark mys-tery of the pri-mor-dial or First Mat-ter (the Khem).”

Find-ing this first sub-stance con-sti-tutes “the alchemist’s cen-tral goal – along with the dis-cov-ery of the Stone of Knowl-edge (The Philosopher’s Stone) and the key to Eter-nal Youth.”

In the descrip-tion above, we can see the roots of Rowling’s fic-tions and the ori-gins of many a world-shap-ing mod-ern myth. Alchemists study and change mat-ter to pro-duce cer-tain effects – just as ear-ly sci-en-tists did – and it may sur-prise us to learn just how fer-vent-ly some well-known ear-ly sci-en-tists, most espe-cial-ly Isaac New-ton, pur-sued the alchem-i-cal course. But the essence of alche-my was imag-i-na-tion, and the artists who depict-ed alchem-i-cal rit-u-als, mag-i-cal crea-tures, mys-ti-cal sym-bols, etc. had no short-age of it, as we see in the images here, drawn from Well-come Images and the Man-ley Palmer Hall col-lec-tion at the Inter-net Archive.

The images are strange, sur-re-al, cryp-tic, and seem to ref-er-ence no known real-i-ty. They are the inspi-ra-tion for cen-turies of occult art and eso-teric lit-er-a-ture. But each one also had prac-ti-cal intent — to illus-trate mys-te-ri-ous, often secre-tive process-es for dis-cov-er-ing the foun-da-tions of the uni-verse, and prof-it-ing from them. If these tech-niques look noth-ing like our mod-ern meth-ods for doing the same, that’s for good rea-son, but it does-n’t mean that alche-my has noth-ing to do with sci-ence. It is, rather, sci-ence’s weird dis-tant ances-tor. See more alchem-i-cal images at the Pub-lic Domain Review.

via Pub-lic Domain Review

Relat-ed Con-tent:

How the Bril-liant Col-ors of Medieval Illu-mi-nat-ed Man-u-scripts Were Made with Alche-my

Videos Recre-ate Isaac Newton’s Neat Alche-my Exper-i-ments: Watch Sil-ver Get Turned Into Gold

Isaac Newton’s Recipe for the Myth-i-cal ‘Philosopher’s Stone’ Is Being Dig-i-tized & Put Online (Along with His Oth-er Alche-my Man-u-scripts)

Josh Jones is a writer and musi-cian based in Durham, NC. Fol-low him at @jdmagness

Browse a Huge Collection of Prison Newspapers: 1800–2020

“By the end of the eigh-teenth and the begin-ning of the nine-teenth cen-tu-ry, the gloomy fes-ti-val of pun-ish-ment was dying out… Pun-ish-ment, then, will tend to become the most hid-den part of the penal process.” — Michel Fou-cault

The study of crime in the late 1800s began with racist pseu-do-science like cran-iom-e-try and phrenol-o-gy, both of which have made a dis-turb-ing come-back in recent years. In his 1876 book, Crim-i-nal Man, the “father of crim-i-nol-o-gy,” Cesare Lom-brosco, defined “the crim-i-nal” as “an atavis-tic being who repro-duces in his per-son the fero-cious instincts of prim-i-tive human-i-ty and the infe-ri-or of ani-mals.” Lom-brosco believed that cer-tain cra-nial and facial fea-tures cor-re-spond to a “love of orgies and the irre-sistible crav-ing for evil for its own sake, the desire not only to extin-guish life in the vic-tim, but to muti-late the corpse, tear its flesh, and drink its blood.” That such descrip-tions pre-ced-ed Bram Stok-er’s Drac-u-la by sev-er-al years may be no coin-ci-dence at all.

No such thing as a nat-ur-al crim-i-nal type exists, but this has not stopped 19th cen-tu-ry prej-u-dices from embed-ding them-selves in law enforce-ment, the prison sys-tem and the cul-ture at large in the Unit-ed States. Out-side of the most sen-sa-tion-al-ist cas-es, how-ev-er, we rarely hear from incar-cer-at-ed peo-ple them-selves, though they’ve had plen-ty say about their human-i-ty in print since the turn of the 19th cen-tu-ry, when the first prison news-pa-per, For-lorn Hope, was pub-lished in New York City on March 24, 1800.

“In the inter-ven-ing 200 years,” notes JSTOR, “over 500 prison news-pa-pers have been pub-lished from U.S. pris-ons.” A new col-lec-tion, Amer-i-can Prison News-pa-pers: 1800–2020 — Voic-es from the Inside, “will bring togeth-er hun-dreds of these peri-od-i-cals from across the coun-try into one col-lec-tion that will rep-re-sent penal insti-tu-tions of all kinds, with spe-cial atten-tion paid to women-only insti-tu-tions.”

The U.S. incar-cer-ates “over 2 mil-lion as of 2019” — and has pro-duced some of the world’s most mov-ing jail and prison lit-er-a-ture, from Thore-au’s “Civ-il Dis-obe-di-ence” to Mar-tin Luther King, Jr.‘s “Let-ter from a Birm-ing-ham Jail.” The news-pa-pers in this col-lec-tion do not often fea-ture a sim-i-lar lev-el of lit-er-ary bravu-ra, but many show a high degree of pro-fes-sion-al-ism and artis-tic qual-i-ty. “Next to the fad-ed, home-spun pages of The Hour Glass, pub-lished at the Farm for Women in Con-necti-cut in the 1930s,” writes JSTOR Dai-ly’s Kate McQueen, “read-ers will find pol-ished sta-ples of the 1970s like news-pa-per The Ken-tucky Inter-Prison Press and Ari-zona State Pris-on’s mag-a-zine La Roca.”

Many, if not most, of these pub-li-ca-tions were pub-lished with offi-cial sanc-tion, and these “cov-er sim-i-lar ground. They report on prison pro-gram-ing, pro-file locals of inter-est, and offer com-men-tary on top-ics like parole and edu-ca-tion” under the watch-ful gaze of the war-den, whose pho-to-graph might appear on the mast-head. “Incar-cer-at-ed jour-nal-ists walk a tightrope between over-sight by admin-is-tra-tions — even cen-sor-ship — and seek-ing to report accu-rate-ly on their expe-ri-ences inside,” the col-lec-tion points out. Prison news-pa-pers gave inmates oppor-tu-ni-ties to share cre-ative work and hone new-ly acquired lit-er-a-cy, lit-er-ary, and legal skills. Those peri-od-i-cals that cir-cu-lat-ed under-ground with-out the author-i-ties’ per-mis-sion had no need to equiv-o-cate about their pol-i-tics. Wash-ing-ton State Pen-i-ten-tiary’s Anar-chist Black Drag-on, for exam-ple, took a fierce-ly rad-i-cal stance on every page. Nowhere on the mast-head will one find the names of cor-rec-tion-al offi-cers, or even a list of edi-tors and con-trib-u-tors, or even a mast-head.

Whether offi-cial, unof-fi-cial, or occu-py-ing a grey area, prison peri-od-i-cals all hoped in some degree to “poke holes in the wall,” as Tom Run-y-on, edi-tor of Iowa State Pen-i-ten-tiary’s Pre-sidio wrote — reach-ing audi-ences out-side the prison to refute crim-i-no-log-i-cal think-ing. Ari-zona State Pris-on’s The Desert Press, led its Jan-u-ary 1934 issue with the press-ing head-line “Are Con-victs Peo-ple?” (like-ly after Alice Duer Miller’s satir-i-cal 1904 “book of rhymes for suf-frage times,” Are Women Peo-ple?)  Lawrence Snow, edi-tor of Ken-tucky State Pen-i-ten-tiary’s Cas-tle on the Cum-ber-land, picked up the ques-tion with more for-mal-i-ty in a 1964 col-umn, ask-ing, “How shall [a prison pub-li-ca-tion] go about its prin-ci-pal job of con-vinc-ing the casu-al read-er that con-victs, although they have divorced them-selves tem-porar-i-ly from soci-ety, still belong to the human race?” Giv-en that the Unit-ed States impris-ons more peo-ple than any oth-er nation in the world, the ques-tion seems more per-ti-nent — urgent even — than ever before. Enter the Amer-i-can Prison News-pa-pers col-lec-tion here.

via Kot-tke

Relat-ed Con-tent: 

On the Pow-er of Teach-ing Phi-los-o-phy in Pris-ons

Pris-ons Around the U.S. Are Ban-ning and Restrict-ing Access to Books

Bertrand Russell’s Prison Let-ters Are Now Dig-i-tized & Put Online (1918 – 1961)

Pat-ti Smith Reads from Oscar Wilde’s De Pro-fundis, the Love Let-ter He Wrote From Prison (1897)

Josh Jones is a writer and musi-cian based in Durham, NC. Fol-low him at @jdmagness

Harvard’s Digital Giza Project Lets You Access the Largest Online Archive on the Egyptian Pyramids (Including a 3D Giza Tour)

Noth-ing excites the imag-i-na-tion of young his-to-ry-and-sci-ence-mind-ed kids like the Egypt-ian pyra-mids, which is maybe why so many peo-ple grow up into ama-teur Egyp-tol-o-gists with very strong opin-ions about the pyra-mids. For such peo-ple, access to the high-est qual-i-ty infor-ma-tion seems crit-i-cal for their online debates. For pro-fes-sion-al aca-d-e-mics and seri-ous stu-dents of ancient Egypt such access is crit-i-cal to doing their work prop-er-ly. All lovers and stu-dents of ancient Egypt will find what they need, freely avail-able, at Har-vard University’s Dig-i-tal Giza Project.

“Chil-dren and spe-cial-ized schol-ars alike may study the mate-r-i-al cul-ture of this ancient civ-i-liza-tion from afar,” Harvard’s Meta-l-ab writes, “often with greater access than could be achieved in per-son.” The project opened at Har-vard in 2011 after spend-ing its first eleven years at the Muse-um of Fine Arts, Boston with the goal of “dig-i-tiz-ing and post-ing for free online all of the archae-o-log-i-cal doc-u-men-ta-tion from the Har-vard University—Boston Muse-um of Fine Arts Expe-di-tion to Giza, Egypt (about 1904–1947),” notes the about page.

The Dig-i-tal Giza Project was born from a need to cen-tral-ize research and arti-facts that have been scat-tered all over the globe. “Doc-u-ments and images are held in far-away archives,” the Har-vard Gazette points out, “arti-facts and oth-er relics of ancient Egypt have been dis-persed, stolen, or destroyed, and tombs and mon-u-ments have been dis-man-tled, weath-er-worn, or locked away behind pas-sages filled in when an exca-va-tion clos-es.” Oth-er obsta-cles to research include the expense of trav-el and, more recent-ly, the impos-si-bil-i-ty of vis-it-ing far-off sites.

Expand-ing far beyond the scope of the orig-i-nal expe-di-tions, the project has part-nered with “many oth-er insti-tu-tions around the world with Giza-relat-ed col-lec-tions” to com-pile its search-able library of down-load-able PDF books and jour-nal arti-cles. Kids, adult enthu-si-asts, and spe-cial-ists will all appre-ci-ate Giza 3D, a recon-struc-tion with guid-ed tours of all the major arche-o-log-i-cal sites at the pyra-mids, from tombs to tem-ples to the Great Sphinx, as well as links to images and arche-o-log-i-cal details about each of the var-i-ous finds with-in.

For a pre-view of the mul-ti-me-dia expe-ri-ence on offer at the Dig-i-tal Giza Project, see the videos here from project’s YouTube chan-nel. Each short video pro-vides a wealth of infor-ma-tion; young learn-ers and those just get-ting start-ed in their Egyp-tol-ogy stud-ies can find lessons, glos-saries, an overview of the peo-ple and places of Giza, and more at the Giza @ School page. What-ev-er your age, occu-pa-tion, or lev-el of com-mit-ment, if you’re inter-est-ed in learn-ing more about the pyra-mids at Giza, you need to book-mark Dig-i-tal Giza. Start here.

Relat-ed Con-tent: 

Who Built the Egypt-ian Pyra-mids & How Did They Do It?: New Arche-o-log-i-cal Evi-dence Busts Ancient Myths

A 3,000-Year-Old Painter’s Palette from Ancient Egypt, with Traces of the Orig-i-nal Col-ors Still In It

What Ancient Egypt-ian Sound-ed Like & How We Know It

Josh Jones is a writer and musi-cian based in Durham, NC. Fol-low him at @jdmagness

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